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In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

“即便是一个个微不足道的个体的口述历史它也不可能不与那些大历史交织于是乎在一个个看似微小的历史里整个中国近现代史里头的重大事件一片又一片地展现在观众面前最终足以铺陈出一个轮廓较为完整的大历史s日本大片20分钟免费视频甚至有可能重写大历史然而它竟无疾而终”

The stories gets passed on and the truth gets passed over.

它显示琐碎也不掩饰鸿沟主角在笑和闹的中间忍受着也享受着 它所给到的生活的极限s日本大片20分钟免费视频就是外星人说的50%不会多也不会少deal with it