安乐传 电视剧5.1

演员都很入戏我却根本入不了戏这种滋味很难受除了几个长镜头没什么吸引我的地方后半段完全脱节＜安乐传 电视剧＞有点＜大失＞

很喜欢拍摄风格·····太有冲击力了··· 很少的剪辑像这样的···老早看的电影···· 喜欢···

看完第二季来唠唠首先当电子榨菜是不错安乐传 电视剧是某种程度上的爽文但整体设定很生硬：人真的能单纯的恶或者是单纯的善吗每当这个问题一出现导演就用阶级矛盾来堵住观众的嘴其实漏洞百出另外爽文痕迹和主角光环太重了让我时不时出戏；最后韩剧们总给年轻女孩儿们塑造一个完美的男主：长得帅没心眼能救赎能包容又甘心被利用然而我只想快进

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

简简单单小电影本质是朴赞郁公费赏唯演员被观赏本身不是什么问题但汤唯气场太稳定正向积极她观赏别人安乐传 电视剧非常ok但把她放在被观赏对象的位置上会让观众觉得自己很猥琐